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...Destroyer's newest album, Kaputt. Songs being streamed on repeat include Chinatown, Downtown, and Suicide Demo for Kara Walker. It's no secret that I adore all of Destroyer's other albums and I am happy to report that this one has joined those ranks.
This excerpt from the Pitchfork review says it better than I ever could:
Kaputt ... goes as deep as you want to go. People can miss that Dan Bejar is funny as hell-- he seeds his music with lyrical and musical in-jokes, and everyone has their own favorite lines to pluck out of his songs and admire for their concise wit. He likes surprises-- few lyric sheets have as many exclamation points. But the essential quality of all his records is complexity. They are doing a lot of things at once. Kaputt feels rich.
For one, there is the surface beauty of the sound. Some less inclined to the pleasures of the music from the aforementioned era might have an initial reaction to its essential corniness, but once you've tuned in, it sounds beautiful. The songs seem delicate and glassy and shimmering, and Bejar has toned down his quirky voice and sounds relaxed and focused. So it's easy to enjoy bumping the wet, jazzy pop of "Chinatown", which suggests the rainy streets of an old city and new dramas unfolding around every corner. Or wallow in the simple and elegant hook of "Blue Eyes", the way Bejar voice works next to Vancouver singer Sibel Thrasher, a regular vocal presence on Kaputt who sort of serves as the Nicolette Larson to Bejar's Neil Young. But "Blue Eyes" also has sly lyrical references ("your first love's new order," "Mother Nature's Son") and funny put-downs ("I sent a message in a bottle to the press/ It said, 'Don't be ashamed or disgusted with yourselves'"). More than any other Destroyer record, you can just throw this on and it sounds good, and plenty will do well stopping there. But for those so inclined, there's more to explore. ...
